academic literary criticism cask of amontillado

Montresor never suffered a thousand injuries from Fortunato, or any injuries at all. Because Montresor and Fortunato never existed. They are only fictitious characters created by Edgar Allan Poe. This literary genius understood that it is possible for a creative writer to vent real feelings by using them in disguise as the basis for stories. There must have been a man Poe really hated and would have liked to murder. Poe was a proud and hypersensitive man, and he made many enemies during his short lifetime. He creates a fictitious character to narrate his story and then has Montresor address the narrative, not to the reader, but to a person whom Montresor calls "You, who so well know the nature of my soul." This literary device enables Poe to leave out a lot of exposition, since the confidant, or confidante, already knows all about Montresor's life and most of his secrets. When Montresor murders Fortunato it is Poe murdering his hated enemy in what Sigmund Freud, who held that creative stories could be analyzed like dreams, would have called a "censored" fantasy. Montresor states that Fortunato was wearing a jester's costume complete with cap and bells, but Montresor says nothing else at any time about the man's appearance. We don't know whether Fortunato is tall or short, fat or thin, handsome or homely, old or young. All we can visualize is a drunken man with a totally blank face wearing a zany costume. This is because Poe did not want to create a character who would not resemble the real enemy he hated, although he could not put that enemy's face on his character either. "The Cask of Amontillado" is what Freud would have called the "manifest story." In the "real story," or what Freud would have called the "latent content," Poe is murdering the man he hates so bitterly that he would like to kill him in the most horrible possible fashion. Poe uses his volatile repressed emotions to create a literary masterpiece, while at the same time he relieves himself of some of his injured feelings. We all do that, either in our dreams or daydreams. We imagine what we would have said or would have done to such and such a person on such and such an occasion. Probably we do not go as far as imagining chaining that unfortunate offender to a granite wall in a catacomb full of human bones and letting the poor fellow die of starvation and madness. But the psychological purpose must be to relieve ourselves of painful feelings without risking reprisal. I think we can guess that Poe's real-life enemy was a haughty man who considered himself quite a jester. Poe was vulnerable in so many ways. He was an orphan. He had long been estranged from his wealthy foster father John Allan. He was desperately poor but trying to maintain a position in society. He was reputed to be a drunkard. He had been court-martialed and expelled from West Point. And he had married his cousin Virginia when she was only thirteen years old.

academic literary criticism cask of amontillado

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"El barril de amontillado - The cask of amontillado"

different metaphors and ironies in the cask of amontillado

Poe"s "The Cask Of AmontilladoaEPoe"s "The Cask of AmontilladoaE is a story about revenge and the workings of the twisted mind of a man who is fixed on it. ... Edgar Allen Poe utilizes the characters, Montressor and Fortunato, to represent two distinct psychological entities in his short story, "The Cask of Amontillado." ... Because he insists that he is the only one who can tell the difference between "Amontillado and Sherry," he ultimately sets himself up for his own demise. ... He nonchalantly mentions to Fortunato that he has purchased a bottle of wine at the carnival, but is...